FORA





This composition began as an exercise in which I was meant to use exclusively granular synthesis techniques. The effect I built was quite simple, but playing around with a few parameters while adapting to different sounds resulted in rich outputs that blended quite well together. I started with a chord progression on the guitar as a base and expanded from there, adding voice, assorted percussions (a.k.a. my coffee mug and a spoon) and some recorded samples.